Professor Catherine Fowler, Our People, Media, Film and Communication

BA(Hons)(Bulmershe) PhD(Warw)
Professor

Contact

Office: 3N11, 3rd floor, Arts (Burns) Building
Tel +64 3 479 8615
Email catherine.fowler@otago.ac.nz

Research interest

Following her PhD on the films of Chantal Akerman, she lectured from 1994-2004 in Film Studies at Southampton Institute of Higher Education, UK. As well as leading the BA (Hons) in Film Studies and being made a Reader in Research (in 2001) she helped develop and then led the MA in Independent Film and Filmmaking.

Her research interests in Film are divided between historical studies and an engagement with Contemporary World Cinema. Her PhD on Chantal Akerman was an attempt to broaden the critical boundaries within which the director's films had been previously discussed, considering not only her status as a 'woman' and 'independent' filmmaker but also her identities as 'Belgian' and 'Jewish'. Aspects of this thesis have been published in various edited collections, and from it have grown projects around the contradictions of national cinema, independent practice and women filmmakers (see Bibliography for details).

Her recent research and publications have encompassed each of these areas. With Gillian Helfield she is co-editor of the collection: 'Representing the Rural: Space, Place and Identity in Films about the Land'. This book offers a critical introduction to issues raised by the many, varied films that take the land as their setting. The essays here consider the ways in which once the urban space is displaced by the rural, so our understanding of cinema's use of modernity, the national, post-colonialism and the post-modern is transformed.

Her most recent book on British woman film-maker Sally Potter, published 2008, offers the first book length survey of a director who uses song, dance, performance and poetry to expand our experience of cinema beyond the audiovisual.

She was Screen correspondent for the 'Créteil Festival de films de femmes' from 1992 - 1998, (writing an annual review) and she has been part of the editorial advisory committee for the magazine Vertigo ( Vertigomagazine.co.uk ).

Current projects arise from her interest in the film-art axis of influence. This is a long term project on films made for and exhibited in the space of the gallery that explores how these films might challenge theorizations of narrative, time and spectatorship in both film studies and art theory.

Publications

Fowler, C. (2024). Pressing back with Jenni Hermoso: Understanding the non-consensual kiss as abusive. European Journal of Cultural Studies. Advance online publication. doi: 10.1177/13675494241270620 Journal - Research Article

Fowler, C., & Moro, S. (2024). #(No)SeAcabó/it is (not) over: The Rubiales/Hermoso non-consensual kiss and the growth of a culture of concern [Introduction]. European Journal of Cultural Studies. Advance online publication. doi: 10.1177/13675494241270387 Journal - Research Article

Fowler, C., Grant, C., & Zecchi, B. (Eds.). (2023). [in]Transition / Journal of Videographic Film & Moving Image Studies, 10(3) [Special issue: Feminist Videographic Diptychs]. Retrieved from https://mediacommons.org/intransition/journal-videographic-film-moving-image-studies-103-2023 Other - Edited Journal

Fowler, C. (2023). The responsive eye, or, the morning show may destroy you [Video essay and text]. [in]Transition / Journal of Videographic Film & Moving Image Studies, 10(3). Retrieved from https://mediacommons.org/intransition/journal-videographic-film-moving-image-studies-103-2023 Journal - Research Article

Fowler, C. (2023). Feminist videographic diptychs: Introduction. [in]Transition / Journal of Videographic Film & Moving Image Studies, 10(3). Retrieved from https://mediacommons.org/intransition/journal-videographic-film-moving-image-studies-103-2023 Journal - Research Article

2024

Journal - Research Article

2023

Edited Book - Research

Higgins, T., & Fowler, C. (Eds.). (2023). Epistolary entanglements in film, media and the visual arts. Amsterdam, The Netherlands: Amsterdam University Press, 280p. doi: 10.5117/9789463729666

Chapter in Book - Research

Fowler, C. (2023). 'My dearest little girl, I just got your letter and I hope that you will continue to write to me often': Epistolary listening in News from home (Chantal Akerman, 1976). In T. Higgins & C. Fowler (Eds.), Epistolary entanglements in film, media and the visual arts. (pp. 55-69). Amsterdam, The Netherlands: Amsterdam University Press. doi: 10.5117/9789463729666_ch02

Higgins, T., & Fowler, C. (2023). Doing (audio-visual) things with words: From epistolary intent to epistolary entanglements: An introduction. In T. Higgins & C. Fowler (Eds.), Epistolary entanglements in film, media and the visual arts. (pp. 9-38). Amsterdam, The Netherlands: Amsterdam University Press. doi: 10.5117/9789463729666_intro

Journal - Research Article

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2023). #Shittyboys: Visibilising institutional violence in The Hunting (SBS, 2019). Proceedings of the Australian & New Zealand Communication Association (ANZCA) Conference: Ka mua, ka muri: Bridging communication pasts and futures. (pp. 94-95). Retrieved from https://www.anzca2023.com

Other Research Output

Fowler, C. (2023, April). (How) do I add the images in movies? University of Otago, Dunedin, New Zealand. [Inaugural Professorial Lecture].

Other - Edited Journal

2022

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2022). Consenting to and co-ordinating intimacy in Normal People (2020). Proceedings of the Console-ing Passions Conference: International Conference on Television, Video, Audio, New Media, and Feminism. Retrieved from https://stars.library.ucf.edu/cp2022/program/violet/3/

2021

Journal - Research Article

De Rosa, M., & Fowler, C. (2021). Making conjunctions: Thinking topologically with contemporary artists’ moving images. Screen, 62(4), 512-532. doi: 10.1093/screen/hjab048

Fowler, C. (2021). Expanding the field of practice-based-research: The videographic (feminist) diptych. Media Practice & Education, 22(1), 49-60. doi: 10.1080/25741136.2021.1832770

Journal - Research Other

Fowler, C., & Redmond, S. (2021). Introduction. Media Practice & Education, 22(1), 1-4. doi: 10.1080/25741136.2021.1832764

Other - Edited Journal

Fowler, C., & Redmond, S. (Eds.). (2021). Media Practice & Education, 22(1) [The audio-visual essay as creative practice in teaching and research: Theories, methods, case studies]. [Guest Editors].

2020

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2020). Expanding the field of practice-based-research: The videographic (feminist) diptych. Proceedings of the Sydney Screen Studies Network Conference: Dial S for Screen Studies. (pp. 9). Retrieved from https://sydneyscreenstudiesnetwork.com

2019

Journal - Research Article

Fowler, C., & Redmond, S. (2019). Writing with sound and vision: The audiovisual essay in the classroom. Screen Education, 96, 106-113.

Journal - Research Other

Fowler, C. (2019). Alternative Film/Video Festival (13–17 December 2017) and the International Short Film Festival Oberhausen (3–8 May 2018): Film festivals as memory-work. Moving Image Review & Art Journal, 8(1-2), 176-183. doi: 10.1386/miraj_00017_4

Fowler, C. (2019). Videographic exercises and radical pedagogy in the classroom. JCMS Teaching Dossier, 5(3). Retrieved from http://www.teachingmedia.org/videographic-exercises-and-radical-pedagogy-in-the-classroom/

Fowler, C., Perkins, C., & Redmond, S. (2019). Introduction [Not another brick in the wall: The audiovisual essay and radical pedagogy]. JCMS Teaching Dossier, 5(3). Retrieved from http://www.teachingmedia.org/cinema-journal-teaching-dossier

Conference Contribution - Published proceedings: Abstract

De Rosa, M., & Fowler, C. (2019). New conjunctions: Re-organizing contemporary artistic moving image relations. Proceedings of the 29th Screen Studies Conference (SSC). Retrieved from https://www.gla.ac.uk/research/az/screen/conference

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2019, June). Treescapes: Visual vocabularies for the Anthropocene in the work of Tacita Dean, Eija Liisa Ahtila and Semiconductor. Verbal presentation at the Imag(in)ing the Anthropocene Conference, Bristol, UK.

Fitzgerald, R., & Fowler, C. (2019, October). Starting a conversation about assessing with sounds and images. Verbal presentation at the Teaching and Learning Symposium: Pride in the Humanities, Dunedin, New Zealand.

Exhibition

Fowler, C. (curator) (2019, 19 May). Horizon/tal: A programme of short films on the theme of the horizon and the horizontal, in response to Semiconductor: The technological sublime. City Gallery Wellington: Te Whare Toi, Wellington, New Zealand . [Exhibition].

Fowler, C. (curator) (2019, 2 May). Acoustic geometries: A programme of experimental short film with the theme of sound, in response to Semiconductor: The technological sublime. Tuatara, Wellington, New Zealand . [Exhibition].

Other Research Output

Stringer, R., Fowler, C., and Overell, R. (2019, March). Terror nullius: Screening and discussion panel. Dunedin Public Art Gallery, Dunedin, New Zealand. [Public Discussion].

Fowler, C. (2019, May). Catherine Fowler's film programmes respond to Semiconductor: Introduction to "Acoustic geometries" and "Horizon/tal". Blog entry for City Gallery Wellington, Wellington, New Zealand. Retrieved from https://citygallery.org.nz/blog/catherine-fowler-introduces-two-film-programmes-in-response-to-semiconductor

Other - Edited Journal

Fowler, C., Perkins, C., & Redmond, S. (Eds.). (2019). JCMS Teaching Dossier, 5(3) [Not another brick in the wall: The audiovisual essay and radical pedagogy]. Retrieved from http://www.teachingmedia.org/cinema-journal-teaching-dossier

2018

Journal - Research Article

Fowler, C. (2018). On sound an artistic moving images: Anri Sala’s acoustic territories. Senses of Cinema, 86. Retrieved from https://www.sensesofcinema.com/2018/cinema-and-the-museum/anri-salas-acoustic-territories

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2018, November). Waru (New Zealand, 2017): Women’s cinema as counter-cinema revisited. Verbal presentation at the Second Screen Studies Association of Australia and Aotearoa New Zealand (SSAAANZ) Conference: The Uses of Cinema, Melborne, Australia.

2017

Chapter in Book - Research

Fowler, C. (2017). The artists' long take as passage in Sharon Lockhart's installation Lunch Break (2008). In J. Gibbs & D. Pye (Eds.), The long take: Critical approaches. (pp. 193-205). London, UK: Palgrave Macmillan. doi: 10.1057/978-1-137-58573-8

Fowler, C. (2017). Unspooling cinema, or, thinking outside the (black) box with Atom Egoyan. In T. Long, E. Matheson & C. Ramsay (Eds.), Atom Egoyan: Steenbeckett. (pp. 49-61). London, UK: Black Dog.

Fowler, C. (2017). Slow looking: Confronting moving images with Georges Didi-Huberman. In M. Beugnet, A. Cameron & A. Fetveit (Eds.), Indefinite visions: Cinema and the attractions of uncertainty. (pp. 241-254). Edinburgh, UK: Edinburgh University Press.

Conference Contribution - Published proceedings: Full paper

Fowler, C. (2017). Becoming awhere in Aotearoa New Zealand: Vincent Ward's exhibition Breath: The Fleeting Intensity of Life (2011). The Thickness of Cinema: Collected Interviews and Presentations from the Circuit Symposium and Artist's Week. Retrieved from https://www.circuit.org.nz/blog/e-book-the-thickness-of-cinema

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2017). Artistic moving images in the gallery and unscripted realities. Proceedings of the Screenwriting Research Network Conference: Screenwriting: Fact and Fiction, Truth and Real. Retrieved from http://www.otago.ac.nz/srn-2017/conference/otago634451.html

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2017, March). Manifesto four for dynamic forms: The precarity, provisionality and chaos of artistic installations. Verbal presentation at the 58th Society for Cinema & Media Studies (SCMS) Annual Conference, Chicago, USA.

Creative Work

Fowler, C., Perkins, C., & Rassell, C. (2017). Dead time. Transition Journal of Videographic Film & Moving Image Studies, 4(3). Retrieved from http://mediacommons.futureofthebook.org/intransition/2017/09/07/dead-time

2016

Conference Contribution - Published proceedings: Full paper

Fowler, C. (2016). Thinking topologically: Contaminated histories of art and film. In D. Cavalloti, F. Giordano & L. Quaresima (Eds.), A history of cinema without names. (pp. 157-164). Milan, Italy: Mimesis Edizioni. [Full Paper]

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C., & Redmond, S. (2016, November). Video essay workshop. Verbal presentation at the First Screen Studies Association of Australia and Aotearoa New Zealand (SSAAANZ) Conference, Wellington, New Zealand.

Other Research Output

Fowler, C. (curator) (2016, 21 November). Far away, so close: On belonging. A programme of short films, Dunedin Public Art Gallery, Dunedin, New Zealand. [Film Screening].

2015

Journal - Research Article

Miller Skillander, K., & Fowler, C. (2015). From longitudinal studies to longitudinal documentaries: Revisiting infra-ordinary lives. Studies in Documentary Film, 9(2), 127-142. doi: 10.1080/17503280.2015.1031569

Journal - Research Other

Fowler, C. (2015). [Review of the book Cinematic journeys: Film and movement]. Studies in European Cinema, 12(1), 87-90. doi: 10.1080/17411548.2014.973694

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2015). Sound's relational geography: New vocabulary for film studies in the art gallery. Proceedings of the XVII^th Film and History Association of Australia and New Zealand (FHAANZ) Conference. (pp. 63). Retrieved from https://www.ivvy.com/event/FHAANZ/

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2015, March). From long takes to long looks: Artists thinking outside the (black) box. Verbal presentation at the Society for Cinema and Media Studies (SCMS) Annual Conference, Montreal, Canada.

2013

Chapter in Book - Other

Fowler, C., & Kambuta, R. (2013). Extreme human makeovers: Supernanny, the unruly child, and adulthood in crisis. In K. J. Renner (Ed.), The 'evil child' in literature, film and popular culture. (pp. 173-187). Abingdon, UK: Routledge.

Journal - Research Article

Fowler, C. (2013). The Clock: Gesture and cinematic replaying. Framework, 54(2), 226-242. doi: 10.1353/frm.2013.0020

Fowler, C. (2013). Obscurity and stillness: Potentiality in the moving image. Art Journal, 72(1), 64-79.

Fowler, C. (2013). Once more with feeling: Performing the self in the work of Gillian Wearing, Kutluğ Ataman and Phil Collins. Moving Image Review & Art Journal, 2(1), 10-24. doi: 10.1386/miraj.2.1.10_1

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2013). Roots forward, routes back: Isaac Julien's radicant moving image art. Proceedings of the 23rd International Screen Studies Conference. Retrieved from http://www.gla.ac.uk/services/screen/conference2015/pastconferences/

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2013, May). Undoing cinema: Moving images relations since 1990. Verbal presentation at the Media, Film and Communication Research Seminar: Intermediations, Dunedin, New Zealand.

2012

Journal - Research Article

Fowler, C. (2012). Remembering cinema "elsewhere": From retrospection to introspection in the gallery film. Cinema Journal, 51(2), 26-45. doi: 10.1353/cj.2012.0008

Journal - Research Other

Fowler, C. (2012). [Review of the book Chantal Akerman]. Modern & Contemporary France, 20(2), 277-278. doi: 10.1080/09639489.2012.665643

2011

Journal - Research Article

Fowler, C., & Voci, P. (2011). Brief encounters: Theorizing screen attachments outside the movie theatre. Screening the Past, 32. Retrieved from http://www.screeningthepast.com/2011/11/

Fowler, C., & Kambuta, R. (2011). Extreme human makeovers: Supernanny, the unruly child, and adulthood in crisis. Lit, 22(3), 262-276. doi: 10.1080/10436928.2011.596389

Journal - Research Other

Voci, P., & Fowler, C. (2011). Screen attachments: Introduction [Editorial]. Screening the Past, 32. Retrieved from http://www.screeningthepast.com/2011/11/an-introduction/

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2011). Remembering cinema 'elsewhere': Introspection in gallery films. Proceedings of the Screen Cultures Conference. Retrieved from http://www.otago.ac.nz/languagescultures/screencultures.html

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2011, September). Slow cinema and other temporalities of viewing. Verbal presentation at the World Cinema Now: Second Biennial Conference, Melbourne, Australia.

Fowler, C. (2011, July). Following cinema's digital passage: Through the museum. Verbal presentation at the Moving Image and Institution Conference: Cinema and the Museum in the 21st Century, Cambridge, UK.

Other - Edited Journal

Fowler, C., & Voci, P. (Eds.). (2011). Screening the Past, 32 [Screen Attachments]. [Guest Editor].

2010

Journal - Research Article

Fowler, C. (2010). Cinema that stays at home: The inexportable films of Belgium's Gaston Schoukens, Edith Kiel and Jan Vanderheyden. Screen, 51(3), 256-271. doi: 10.1093/screen/hjq015

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2010, March). Do I add to the images in movies? Pensiveness and the moving image in gallery films. Verbal presentation at the Society for Cinema & Media Studies (SCMS) Annual Conference, Los Angeles, California.

Fowler, C. (2010, November-December). The moving image's passage from actuality to potentiality in the gallery film. Verbal presentation at the XVth Biennial Conference of the Film and History Association of Australia and New Zealand: Cinema, Modernity and Modernism, Sydney, Australia.

Fowler, C. (2010, February). Beyond the visible: Remaking the cinema's past in the gallery. Verbal presentation at the Cinema in the Digital Age Symposium, Wellington, New Zealand.

2009

Chapter in Book - Other

Fowler, C. (2009). Ciemność, światło i gliniarz: Z Robertem Sarkiesm rozmawia Catherine Fowler [The dark, the light and the cop: An interview with Robert Sarkies] [Reprinted from Illusions 39, 14-17]. In I. Conrich (Ed.), Kino Nowej Zelandii [Cinema of New Zealand]. (pp. 403-413). Kraców, Poland: Korporacja ha!art.

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2009, July). The passage between images: The wandering woman from Maya Deren to recent gallery films. Verbal presentation at the 19th International Screen Studies Conference: Screen Theorizing Today, Glasgow, UK.

Other Research Output

Fowler, C. (2009). Phil Collins (1p.). Exhibition catalogue essay for Double Take: The Anna Landa Award 2009 for video & new media arts, Art Gallery of New South Wales, Sydney, Australia. [Exhibition Catalogue].

2008

Authored Book - Research

Fowler, C. (2008). Sally Potter. Champaign, IL: University of Illinois Press, 168p.

Journal - Research Article

Fowler, C. (2008). Into the light: Re-considering off-frame and off-screen space in gallery films. New Review of Film & Television Studies, 6(3), 253-267. doi: 10.1080/17400300802418578

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2008). Introspective and circumspective histories of the cinema in contemporary gallery films. In C. Fowler & R. Simmons (Eds.), Proceedings of the XIVth Biennial Conference of the Film and History Association of Australia and New Zealand (Vol. 1: Refereed Abstracts). (pp. 28). Dunedin, New Zealand: Department of Film, Media and Communication, University of Otago. [Abstract]

Fowler, C. (2008). Sally Potter and other women artists. Proceedings of the 1970s British Culture Conference. Retrieved from http://www.1970sproject.co.uk/events/panelorder.php

Conference Contribution - Edited volume of conference proceedings

Fowler, C., & Simmons, R. (Eds.). (2008). XIVth Biennial Conference of the Film and History Association of Australia and New Zealand (Vol. 1: Refereed Abstracts). Dunedin, New Zealand: Department of Film, Media and Communication, University of Otago. 91p.

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2008, June). Re-thinking film history, re-making cinema in the gallery space. Verbal presentation at the European Network for Cinema and Media Studies, Budapest, Hungary.

2007

Journal - Professional & Other Non-Research Articles

Fowler, C. (2007). The dark, the light & the cop: An interview with Robert Sarkies. Illusions, 39, 14-17.

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2007). Taking it and faking it: Performances of the self in recent gallery films. Proceedings of the Cultural Transformations Research Network Annual Symposium. Dunedin, New Zealand: Division of Humanities, University of Otago. Retrieved from http://www.otago.ac.nz/humanities/research/networks/transformations/

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2007, August). Genre and the gaze. Verbal presentation at the Department of Media, Film and Communication One Day Symposium on Genre, Dunedin, New Zealand.

Fowler, C. (2007, December). The passage between images: The wandering woman from Maya Deren to recent gallery films. Verbal presentation at the Self-Narratives 'A Research Conversation' Day, Dunedin, New Zealand.

Fowler, C. (2007, October). Back to the future: Film history revisited in the gallery film. Verbal presentation at the Glasgow School of Art International Interdisciplinary Conference, Glasgow, Scotland.

2006

Edited Book - Research

Fowler, C., & Helfield, G. (Eds.). (2006). Representing the rural: Space, place, and identity in films about the land. Detroit, MI: Wayne State University Press, 384p.

Chapter in Book - Research

Fowler, C. (2006). Symphonie paysanne: An embodied and embedded picturing of the land. In C. Fowler & G. Helfield (Eds.), Representing the rural: Space, place, and identity in films about the land. (pp. 135-149). Detroit, MI: Wayne State University Press.

Fowler, C., & Helfield, G. (2006). Part 4. Rural and Nation: Introduction. In C. Fowler & G. Helfield (Eds.), Representing the rural: Space, place, and identity in films about the land. (pp. 259-260). Detroit, MI: Wayne State University Press.

Fowler, C., & Helfield, G. (2006). Part 2. Peasants: Introduction. In C. Fowler & G. Helfield (Eds.), Representing the rural: Space, place, and identity in films about the land. (pp. 101-103). Detroit, MI: Wayne State University Press.

Fowler, C., & Helfield, G. (2006). Part 3. Landscape: Introduction. In C. Fowler & G. Helfield (Eds.), Representing the rural: Space, place, and identity in films about the land. (pp. 183-184). Detroit, MI: Wayne State University Press.

Fowler, C., & Helfield, G. (2006). Part 1. Land: Introduction. In C. Fowler & G. Helfield (Eds.), Representing the rural: Space, place, and identity in films about the land. (pp. 17-18). Detroit, MI: Wayne State University Press.

Fowler, C., & Helfield, G. (2006). Introduction. In C. Fowler & G. Helfield (Eds.), Representing the rural: Space, place, and identity in films about the land. (pp. 1-16). Detroit, MI: Wayne State University Press.

Fowler, C. (2006). Spending time with (a) celebrity: Sam Taylor-Wood's video portrait of David Beckham. In S. Holmes & S. Redmond (Eds.), Framing celebrity: New directions in celebrity culture. (pp. 241-252). London: Routledge.

Conference Contribution - Published proceedings: Abstract

Fowler, C. (2006). An exploration of the influencing factors that might encourage successful learners. In R. Spronken-Smith (Ed.), Proceedings of the Spotlight on Teaching at Otago Conference. (pp. 26). Dunedin, New Zealand: HEDC, University of Otago. [Abstract]

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2006, November). Into the light: Revealing the edges of the frame in gallery films. Verbal presentation at the XIIIth Biennial Conference of the Film and History Association of Australia and New Zealand, Melbourne, Australia.

Fowler, C. (2006, June). Revealing the edges of the frame: Off-screen space reconsidered in gallery films. Verbal presentation at the On Space Conference, Dunedin, New Zealand.

Fowler, C. (2006, July). Back to the future: Film history revisited in the gallery film and re-mastered. Verbal presentation at the Experimental Histories in the Arts International Conference, Sydney, Australia.

2005

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2005, March-April). Frames for celebrity: From Sam Taylor Wood's David to Andy Warhol's Sleep. Verbal presentation at the Society for Cinema & Media Studies (SCMS) Conference, London, UK.

Fowler, C. (2005, June). The gallery as the twenty fifth frame: Explored through Chantal Akerman′s installations. Verbal presentation at the Amsterdam School for Cultural Analysis Conference, Amsterdam, Netherlands.

2004

Chapter in Book - Other

Fowler, C. (2004). Jeanne Dielman 23 Quai du commerce 1080 Bruxelles. In E. Mathijs (Ed.), The cinema of low countries. (pp. 131-139). London, UK: Wallflower.

Journal - Research Article

Fowler, C. (2004). Room for experiment: Gallery films and vertical time from Maya Deren to Eija Liisa Ahtila. Screen, 45(4), 324-343.

Journal - Professional & Other Non-Research Articles

Fowler, C. (2004). The day I will never forget: An interview with Kim Longinotto. Women, 15(1), 101-107.

2003

Chapter in Book - Research

Fowler, C. (2003). Cinefeminism in its Middle Ages, or ″Please, please, please give me back my pleasure″: The 1990s work of Sally Potter, Chantal Akerman, and Yvonne Rainer. In J. Levitin, J. Pessis & V. Raoul (Eds.), Women filmmakers: Refocusing. (pp. 51-61). Vancouver, BC, Canada: UBC Press.

Fowler, C. (2003). All Night Long: The ambivalent text of ″Belgianicity″. In G. A. Foster (Ed.), Identity and memory: The films of Chantal Akerman. (pp. 77-93). Carbondale, IL, USA: Southern Illinois University Press.

Journal - Professional & Other Non-Research Articles

Fowler, C. (2003). [Review of the book Popular cinemas of Europe: Texts, contexts and frameworks]. Screen, 44(2), 246-249.

Fowler, C. (2003). The film I will never forget: Documentary film-maker Kim Longinotto in conversation. Vertigo, 2(5), 22-23.

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2003, July). Room for experiment: Re-frame or new frame? The gallery space. Verbal presentation at the Experimental Film Today, Preston, Lancashire, UK.

2002

Edited Book - Research

Fowler, C. (Ed.). (2002). The European cinema reader. London, UK: Routledge, 255p.

Journal - Professional & Other Non-Research Articles

Fowler, C. (2002). Drake reading light [Review of the book Light readings: Film criticism and screen arts]. Film-Philosophy, 6(18). Retrieved from http://www.film-philosophy.com/vol6-2002/n18fowler

Fowler, C. (2002). Doing time [Review of the installation Woman sitting down after killing]. Vertigo, 2(2), 48.

Fowler, C. (2002). I′m Spartacus! On no longer seeing films made by women. Vertigo, 2(3), 44-45.

Conference Contribution - Verbal presentation and other Conference outputs

Fowler, C. (2002, May). Mistress of suspense: Chantal Ackerman′s The captive. Verbal presentation at the Society for Cinema Studies Conference, Denver, CO, USA.

2001

Journal - Research Article

Fowler, C. (2001). Sites of contestation: The place of Alfred Machin in early Belgian cinema. Historical Journal of Film, Radio & Television, 21(4), 347-359.

2000

Chapter in Book - Research

Fowler, C. (2000). Harnessing visibility: The attractions of Chantal Akerman′s Golden Eighties. In B. Marshall & R. Stilwell (Eds.), Musicals: Hollywood and beyond. (pp. 107-116). Exeter, UK: Intellect.

Journal - Professional & Other Non-Research Articles

Fowler, C., & Küppers, P. (2000). The 22nd Créteil Women′s Film Festival, 24 March-2 April 2000. Screen, 41(3), 330-333.