"The Problem is How to Thank"

John Dolan
Department of English
University of Otago
New Zealand
jdolan@gandalf.otago.ac.nz

Deep South v.1 n.3 (Spring, 1995)


Copyright (c) 1995 by John Dolan, all rights reserved. This text may be used and shared in accordance with the New Zealand Copyright Act 1962. It may be archived and redistributed in electronic form, provided that the journal is notified. This consent does not extend to other kinds of copying, such as copying for general distribution, for advertising or promotional purposes, for creating new collective works, or for resale. For such uses, written permission of the author and the notification of the journal are required. Write to Deep South, Department of English, University of Otago, P. O. Box 56, Dunedin, New Zealand.

The Problem is How to Thank

A dead Ukranian of the thirteenth century
who took a Mongol arrow in the throat
for you. How to thank
such a person . . . by going to the mall,
perhaps? "He would have wanted it
that way" as basketball players are taught to say
when their supposed best friend and teammate
dies just before the tournament,
their big chance? No,
I don't think so. How do you thank
the dead Ukranian? Think fast, because
even as we speak

They are here -- the Mongols.

Picture it morning then,
farm folk, walking to the fields
as their breath huffs
tiny dragons in the air.

No -- not yet, wait, wait . . .

They're poor and thin, and the wind blows,
it's the spread East of Europe,
it's the Little Ice Age. Only farm folk,
not quite enough food, so they're
pretty short on average; still
some of them, see that girl feeding the
chickens -- pretty in her feudal, slave way . . .

Wait, wait . . .
Now.
They are here.

It has to be imagined . . .
No; I mean has to be.
Well, just imagine;
just imagine what you could do
if you'd ridden three thousand miles
over the steppes in Winter after Winter
from a place with no water
and no books and no nothing, killing,
killing as a job, a boring job with still
some odd funny moments, when the arrow
takes a little one at a funny angle and it
runs around dead but running; but dull
for the most part, dull and always cold
and bored. Eating horse
dog and villager meat cooked
by the friction of the saddle; and
no rules at all,
no sensibilities,
no science and Voltaire
no Gandhi or vaccines . . . So
the Mongols come.
A rumble, a rumor, color
then the first wave washes
through your village: at dawn
the creak of carts and then stumbling, sobbing,
Turk-seeming folk,
fearful enough but only fleeing,
defeated, from the real devils.
All month they pass and they fight
if anyone tries to stop them.
They are so afraid
of what's behind them that nothing
ahead, nothing westward,
can frighten them.
(What waits at last westward is Pleasant Hill, California --
but that's much later.)
At the end of the thirtieth day
one these Saracen women
who has just reached the edge of the village
falls forward gurgling,
an arrow in her back. 
And at last,

They are here.

Trotting up quietly: The little men
on their little ponies; and they
dance about the village, a horse dance
smaller and smaller,
and the oldest woman in the village
goes out to talk to them
and falls down and dies,
and the circle gets smaller and smaller
like a circle of cows,
and everybody inside it is dead,
and then the houses are burning,
and there is another and another village
to take care of, and then
it's dark, and then they stop
and eat and tell stories.
And at the village, a day's ride eastward,
it is quiet now, every one, every
man woman child
is quiet, and the village name
will not even be remembered . . .

Well; it's true, it happened many times . . .
Doesn't the truth have some kind of rights?

The Mongols didn't even take casualties
most of the time,
usually fought outnumbered;
oh how they danced
in the saddle, at the tip
of bow-range and used up their arrows,
no emotion -- a day at the office,
fire drill, point A to point B, already
practised it across a three thousand miles,
a black arrow on the map
in which every village is dead.
By now it is only a kind of manual labor,
and they daydream as they pick off villagers, vaguely
wondering -- as some Hungarian
goes down gurgling with a feathered
stick in his throat
some Lombard who begged the saints
to take care of his cattle
falls huffing to the ground -- the horse dancer
nocks his next arrow, vaguely wondering

What do they call it here?
Good grazing . . .

end of story. Go among the dead
and collect your arrows. Let the Turk
auxiliaries play with the women,
as long as they remember
to cut their throats afterward.

You have never thanked the villagers.
Instead, somehow
you want this to have a moral,
or an anti-moral, yes, better yet -- the usual
cheap soy substitute for a moral --
Ah, there is or Ah, there isn't
a God; but why? The problem
is not whether but how,
and not God but all the dead
villagers you have slighted.
What will you get them for their birthdays?
What would be the perfect gift
for the old woman who stepped directly in front
of Descartes when the Mongol aimed at him?
What can you write on the thank-you card
with its picture of a kitten
to the Persian archer who delayed Subotai
a second or two so that Voltaire 
could perfect his dialogue? What would satisfy
the Khazar spearman
who gave Hume time to wax facetious?

It makes one nervous and irritable.

It can be avoided.
Whately made fun of Hume on miracles
by arguing that Napoleon Bonaparte
was a figure of myth; can I
say the Mongols are a say "Freudian
thing": onset of menarche (blood,
the East, migration as metaphor for kin-marriage)?
And we could then . . . Something
about being able
to enjoy the freeway architecture more
(because they really are beautiful,
the overpasses, dolphin-flank curves, and unconscious --
that's the secret of their beauty . . . why
don't we love them more?)
If you could
deal with the dead-villager problem you could
feel good about your weight,
be nicer to people around you once you
didn't have to feel inferior to
a dead short Ukranian of the twelfth
century who took an arrow for you
like the Brooklyn kid in a Guadalcanal movie,
who died
who died
so that . . .

So you father's father's father
could itch in relative safety
his own (necessary!) way through a scrofulous
lice-ridden life as a twelfth-century
slave to the Norman pirates occupying
their benighted scrap of Irish rain; so that
in turn his son's son's
son could fill the same office 400 years later
to the ever nastier retired Cromwellian dragoons
to whom were parcelled out
land, sept, daughter, stock and wife; so that
in turn, in time, your father's father --
in the fullness of time, the goodness
badness blankness
of time --
could eat the famine grass 
of the Cavan roadside and die
-- but only after siring
(like the salmon, his only real use) a son; so that
his son could
punch Malthus' clock for another
fifty years of filthy poverty and die
after siring another who --
and then his son --
and his, and his, and at last,
at last
in the full full fullness of
time could as reward for their I say really
most extraordinary patience be allowed to
pay steerage to Jersey city
and there organize the streetcarmen
and get fired for it and
have to wear those horrible
celluloid collars
and form a singing group
(tin pan ould sod three verse)
called unfathomably the Owls and feed ten kids
one of whom died, so nine;
so that your father could 
move to Denver then Oakland
(westward ever westward) and
then, the end of all things, (cause there's
ocean after) Pleasant Hill, California
so that you -- you, end and purpose of all things,
crown of creation, who make worthwhile
an eon of suffering!
could
could
-- Agh.
You get the idea anyway.

So let's say it's
just data, light as paper; or or
something worse, or a mocking
oblique theological proof
that yesterday's falafel was
a mortal sin -- but that's
only a really adolescent, far-fetched
vanity; make yourself
the dead hero of the dead story;
Hey come on this is America;
nobody has to swallow this. Dry,
freeze-dry and blow away; 
just a fact, stratum of
innocent animal bones
over other (earlier) bone-strata and
under other (later) ones, innocent;
even their precious Gandhi had to 
walk on something, I know! let's walk
on the dead? . . . and why not, or rather
how not?

How not?
Like this Andrea Dworkin,
who maintains that intercourse is rape;
What was the species supposed to do?
Our little warm mammal-innocent-selves
that we have, that are real,
that are not just something for people
in German cars/
and seminars/
to laugh at; that we have,
that are real, that we touch, that we
touch with;
that are real,
that are innocent and real . . .

VISUALIZE IMPEACHMENT as the saying goes;
visualize the paradigmatic homo-intermediate-thing
waking up in its cliff-condo,
one bedroom, panoramic view of Ouldavai Gorge,
Brushing its teeth, shaving, looking forward
to another day of
eating dead things,
walking on dead things,
competing in the recapitalized bumpercars
American economy not blameworthy
because built-in, cause a capital
and all labor as Engels
could've said for all I know comes from
dead things; 
well then? What's our ape grandpa,
half-ape half socialise,
sympathy without context,
supposed to do? Buddha,
I think it was Buddha, seem to remember
he had a bigger
frame than Gandhi -- Buddha passive-aggressive
prodigy, once
made the rabbit
jump in the flame and cook itself for him
when he was making a show of starving.

Paragraph Two: But the rabbit
was sorry afterwards in the holy stomach and wondered
if it would not have been better to eat plants
and sire offspring, the old, humbler,
Dravidian, pre-Aryan-conquest
script; and wondered, the rabbit,
as it felt Buddha's digestive juices
begin to disassemble its tissues,
if this auto-immolation, though sufficiently
dramatic, had not been
a sort of error of enthusiasm, literally
suicidal. For, said the rabbit,
dirt is dead things. Coal is dead things.
Oil is dead things. Noodles is dead things
Wood is dead things, the same dead things
as paper is, this page for instance, and the fingers
that touch it; You, that is; are dead thing
talking, walking, just not cashed in
yet.

Just a reminder. We find our clients
tend to neglect things, the paperwork
can get so tangled . . . But not a fable,
not with a moral; it's not like
a movie, not like
they mind, really,
the slighted dead -- not like
that famous series of films,
Night, Dawn, Day, Evening and Late Brunch
of the Dead -- with those
resonant malls-full of zombie
nuns, zombie kids, zombie blue-faced
hare krishnas -- no, not quite
like that, although -- and anyway, How
as Michael points out
would all those zombies get out 
from under an inch of mahogany
or zinc and then six-plus feet
of dirt? Plus the fact that
now, for the first time, the living
outnumber all the dead. (Fact,
I read in "The Grab Bag.") We could
not only pick them off
by the hundred with a single
hunting rifle but
outvote them if it
came to it. Democracy
in action: Resolved,
you dead people not entitled to walk up and eat us
alive . . . Because (A)it's not our fault and(B) we're taller
that you (on average, though some say
it's just that small clothes get
preserved, while bigger are worn out --
the Norse bones in Newfoundland they say
were big -- I found that oddly troubling)
and there's more of us; moreover,
more fundamentally, and this, I think
is the true issue here, the hunting rifle
we must ruthlessly employ against
these (imaginary anyway) zombies: "Granted,
you suffered; yet suffering is not a claim,
less still a virtue; Shamelas all -- your claims,
`We were oh very poor';
`We took a Mongol arrow in the throat
just so you could go to the Mall';
grant these too; yet poverty is not
claim nor suffering virtue
nor death canonization
and
You'd've had air conditioning too if you could've!

They can't hurt you.
Just dirt, just evidence
in an old murder like the bones on
the Peninsula they thought
were the disappeared gird but
she carbon-dated out as
a Miwok, one of those 
passive California tribes --
disappointing by comparison
with the Sioux or Iroquois,
as if casual were in the climate; without wars
or headdresses, and when the Missions came they
just sort of vanished, not even
massacred -- though the girl
whose bones they found had been killed,
they decided, by a blow to the head
in Something-hundred B.C.;
something must have gone on.
Still those Miwok corpses are boring,
difficult to canonize even
ecologically; their "hand on the land"
(unwanted internal rhyme) was
"light" simply because
they didn't do anything, especially
fight. No Miwok martyrs -- or none
remembered, which in terms of 
weight on the poor cranium
of ourselves, unworthy living heirs, is much
the same thing. They're dead
as opposed to deceased; dead
of being too far away
from everything, Jerusalem
and the Goths; which is to say
I never wanted
to read about them so eventually
they turned into dirt.


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