2025
Chapter in Book - Research
Fox, A. (2025). Negative emotions in the light of neuropsychoanalysis: The generative matrix of Witi Ihimaera's multigenerational saga. In J.-F. Vernay, D. R. Wehrs & I. Wentworth (Eds.), The productivity of negative emotions in postcolonial literature. (pp. 58-73). New York, NY: Routledge. doi: 10.4324/9781032649320-5
2022
Authored Book - Research
Fox, A. (2022). Melodrama, masculinity and international art cinema. London, UK: Anthem Preess, 236p.
2021
Authored Book - Other
Gillain, A., & Fox, A. (translator) (2021). Totally Truffaut: 23 films for understanding the man and the filmmaker. New York, NY: Oxford University Press, 336p. doi: 10.1093/oso/9780197536308.001.0001
2020
Other Research Output
Fox, A. (2020, February 18). Une approche génético-biographique: L'œuvre Pier Paolo Pasolini. Chaire Roger Odin Seminar Series, Université Sorbonne Nouvelle, Paris, France. [Invited Presentation].
Fox, A. (2020, February 11). Définir une fantasmatique d'auteur: Trois films de Jacques Demy. Chaire Roger Odin Seminar Series, Université Sorbonne Nouvelle, Paris, France. [Invited Presentation].
Fox, A. (2020, February 4). Auteur et créativité: Nouvelles données de la «neuropsychanalyse». Chaire Roger Odin Seminar Series, Université Sorbonne Nouvelle, Paris, France. [Invited Presentation].
2018
Authored Book - Research
Radner, H., & Fox, A. (2018). Raymond Bellour: Cinema and the moving image. Edinburgh, UK: Edinburgh University Press, 232p.
Chapter in Book - Research
Radner, H., & Fox, A. (2018). Truffaut's apartments. In A. Phillips & G. Vincendeau (Eds.), Paris in the cinema: Beyond the Flâneur. (pp. 55-65). London, UK: Palgrave.
2017
Authored Book - Research
Fox, A. (2017). Coming-of-age cinema in New Zealand: Genre, gender, and adaptation. Edinburgh, UK: Edinburgh University Press, 247p.
Edited Book - Research
Fox, A. (Ed.). (2017). Truffaut on cinema compiled by Anne Gillain [Translated by Alistair Fox]. Bloomington, IN: Indiana University Press, 404p.
2016
Authored Book - Research
Fox, A. (2016). Speaking pictures: Neuropsychoanalysis and authorship in film and literature. Bloomington, IN: Indiana University Press, 310p.
Chapter in Book - Research
Fox, A. (2016). The new Anglo-American cinema of sexual addiction. In J. Gwynne (Ed.), Transgression in Anglo-American cinema: Gender, sex and the deviant body. London, UK: Wallflower Press.
Fox, A. (2016). Le rôle du cinéma aux confins de l'Empire britannique: Étude de cas de la ville de Dunedin au temps de la Nouvelle-Zélande coloniale (1896-1929). In I. Bessière, L. Creton, K. Kitsopanidou & R. Odin (Eds.), Ville et cinéma: Espaces de projection, espaces urbains. (pp. 67-83). Paris, France: Presses Sorbonne Nouvelle.
Fox, A. (2016). François Truffaut. In K. Gabbard (Ed.), Oxford bibliographies: Cinema and media studies. Oxford University Press. doi: 10.1093/obo/9780199791286-0198
2015
Edited Book - Research
Fox, A., Marie, M., Moine, R., & Radner, H. (Eds.). (2015). A companion to contemporary French cinema [Translations by Alistair Fox]. Chichester, UK: John Wiley & Sons, 691p.
Chapter in Book - Research
Fox, A. (2015). Jane Campion. In K. Gabbard (Ed.), Oxford bibliographies: Cinema and media studies. Oxford University Press. doi: 10.1093/OBO/9780199791286-0039
Fox, A. (2015). New Zealand cinema. In K. Gabbard (Ed.), Oxford bibliographies: Cinema and media studies. Oxford University Press. doi: 10.1093/OBO/9780199791286-0227
Fox, A. (2015). Auteurism, personal cinema, and the fémis generation: The case of François Ozon. In A. Fox, M. Marie, R. Moine & H. Radner (Eds.), A companion to contemporary French cinema [Translations by Alistair Fox]. (pp. 205-230). Chichester, UK: John Wiley & Sons.
Fox, A., Marie, M., Moine, R., & Radner, H. (2015). Introduction: Contemporary French cinema: Continuity and change in a global context. In A. Fox, M. Marie, R. Moine & H. Radner (Eds.), A companion to contemporary French cinema [Translations by Alistair Fox]. (pp. 1-14). Chichester, UK: John Wiley & Sons.
Conference Contribution - Verbal presentation and other Conference outputs
Fox, A. (2015, June). Neuroscience and the reaction against postmodernist critical theory. Verbal presentation at the What [in the World] Was Postmodernism? SYMPOSIUM, Dunedin, New Zealand.
2014
Journal - Research Article
Fox, A. (2014). From hypnosis to animals by Raymond Bellour [Translated by Alistair Fox]. Cinema Journal, 53(3), 1-25. doi: 10.1353/cj.2014.0030
2013
Edited Book - Research
Fox, A. (Ed.). (2013). François Truffaut: The lost secret by Anne Gillian [Translated by Alistair Fox]. Bloomington, IN: Indiana University Press, 334p.
Chapter in Book - Research
Fox, A. (2013). Exploring the dynamics of epochal change: Shifting identities in the historical novels of Heretaunga Pat Baker:Behind the Tattooed Face, and The Strongest God. In J. Bessière & S. André (Eds.), Littératures du Pacifique insulaire: Nouvelle-Calédonie, Nouvelle-Zélande, Océanie, Timor Oriental Approches historiques, culturelles et comparatives [Literatures of the Pacific Islands: New Caledonia, New Zealand, Oceania, East Timor Historical, Cultural and Comparative Perspectives. (pp. 81-93). Paris: Honoré Champion.
Fox, A. (2013). Emotion and the authorial fantasmatic: An introduction to the English edition of Anne Gillian's François Truffaut: the lost secret. In François Truffaut: The lost secret by Anne Gillian [Translated by Alistair Fox]. (pp. xxv-xxxvi). Bloomington, IN: Indiana University Press.
Journal - Research Other
Fox, A. (2013). In search of genuine equality: The problem with multiculturalism [Review of the book What was multiculturalism? A critical retrospective]. Diaspora [2007], 16(3), 423-430. [Book Review].
Conference Contribution - Published proceedings: Abstract
Fox, A. (2013). Genre and gender in Mike Wallis's Good for Nothing (2011): Contemporary New Zealand cinema and "the demise of the guys". In E. C. M. Grant, A. Alfaro & H. Radner (Eds.), At a Crossroads: Reconsidering Gender and Identity Research Colloquium: Refereed Abstracts. (pp. 7-8). Dunedin, New Zealand: Department of History and Art History, University of Otago. [Abstract]
2012
Chapter in Book - Research
Fox, A. (2012). Psychological trauma: Representations of gay male sexuality in Māori and Pākehā New Zealand literature. In J. Gywnne & A. Poon (Eds.), Sexuality and contemporary literature. (pp. 147-165). Amherst, NY: Cambria Press.
Journal - Research Article
Fox, A. (2012). Hybridity and the symbolization of postcolonial identity in New Zealand Māori literature. Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée, 39(2), 152-169.
2011
Authored Book - Research
Fox, A. (2011). Jane Campion: Authorship and personal cinema. Bloomington, IN: Indiana University Press, 288p.
Edited Book - Research
Fox, A., & Hine, G. (Eds.). (2011). Cinematic adaptation and the articulation of New Zealand identity. Dunedin, New Zealand: Centre for Research on National Identity, University of Otago, 88p.
Fox, A., Grant, B. K., & Radner, H. (Eds.). (2011). New Zealand cinema: Interpreting the past. Bristol, UK: Intellect, 350p.
Chapter in Book - Research
Fox, A. (2011). Jane Campion. In Oxford bibliographies online. Oxford University Press. doi: 10.1093/OBO/9780199791286-0039
Fox, A. (2011). Hybridity and indigeneity in contemporary Maori literature of Aotearoa/New Zealand: Witi Ihimaera. In J. Bessière (Ed.), Littératures d'aujourd'hui: Contemporain, innovation, partages culturels, politique, théorie littéraire: Domaines européan, latino-américain, francophone et anglophone. (pp. 91-101). Paris: Honoré Champion.
Fox, A. (2011). Cinematic adaptation, personal cinema, and inter-generational change: The case of Roger Donaldson's Sleeping Dogs (1977). In A. Fox & G. Hine (Eds.), Cinematic adaptation and the articulation of New Zealand identity. (pp. 15-29). Dunedin, New Zealand: Centre for Research on National Identity, University of Otago.
Fox, A. (2011). Introduction: The function and purposes of adaptation in the articulation of identity. In A. Fox & G. Hine (Eds.), Cinematic adaptation and the articulation of New Zealand identity. (pp. 7-14). Dunedin, New Zealand: Centre for Research on National Identity, University of Otago.
Fox, A., Grant, B. K., & Radner, H. (2011). Introduction: The historical film in New Zealand cinema. In A. Fox, B. K. Grant & H. Radner (Eds.), New Zealand cinema: Interpreting the past. (pp. 13-44). Bristol, UK: Intellect.
Fox, A. (2011). Rudall Hayward and the cinema of Maoriland: Genre-mixing counter-discourses in Rewi's Last Stand (1925), The Te Kooti Trail (1927) and Rewi's Last Stand/The Last Stand (1940). In A. Fox, B. K. Grant & H. Radner (Eds.), New Zealand cinema: Interpreting the past. (pp. 45-64). Bristol, UK: Intellect.
Chapter in Book - Other
Fox, A. (2011). An intricate, intimate compromise. In G. M. Logan (Ed.), Utopia: Thomas More: A revised translation, backgrounds and criticism. (3rd ed.) (pp. 228-240). New York: W. W. Norton.
Journal - Research Other
Fox, A. (2011). [Review of the book Medieval literature and postcolonial studies]. Commonwealth Essays & Studies, 34(1), 103-104.
Fox, A. (2011). [Review of the book The snake-haired muse: James K. Baxter and classical myth]. Journal of New Zealand Studies, 10, 190-192.
Fox, A. (2011). Cinema of unease [Review of the book New Zealand film: An illustrated history]. Landfall, 222, 188-192.
Conference Contribution - Published proceedings: Full paper
Fox, A. (2011). The current state and future directions of adaptation theory. In E. Todd, C. Da Gama, E. Pullar & H. Radner (Eds.), Creative Imitations and Appropriations: From Cinematic Adaptations to Re-makes Research Colloquium: Selected Refereed Papers. (pp. 3-9). Dunedin, New Zealand: Centre for Research on National Identity. [Full Paper]
Mulholland, M., Fox, A., Gillett, G., Ruru, J., Ballantyne, T., & Rae, M. (2011). Responses to Malcolm Mulholland's "Challenging our symbols of nationhood" [Roundtable discussion]. In A. Fox (Ed.), Symbolising New Zealand: Papers presented at the Centre for Research on National Identity Conference. (pp. 111-123). Dunedin, New Zealand: Centre for Research on National Identity, University of Otago. [Full Paper]
Fox, A. (2011). Symbolising the shadow-side of New Zealand experience in contemporary literature and film. In A. Fox (Ed.), Symbolising New Zealand: Papers presented at the Centre for Research on National Identity Conference. (pp. 55-68). Dunedin, New Zealand: Centre for Research on National Identity, University of Otago. [Full Paper]
Conference Contribution - Published proceedings: Abstract
Fox, A. (2011). Cinematic adaptation, auteur cinema and inter-generational change: The case of Roger Donaldson's ″Sleeping Dogs″ (1977). In E. Todd (Ed.), Creative Imitations and Appropriations: From Cinematic Adaptations to Re-makes: Research Colloquium: Programme and Refereed Abstracts. (pp. 6-7). Dunedin, New Zealand: Centre for Research on National Identity, University of Otago. [Abstract]
Conference Contribution - Edited volume of conference proceedings
Fox, A. (Ed.). (2011). Symbolising New Zealand: Papers presented at the Centre for Research on National Identity Conference. Dunedin, New Zealand: Centre for Research on National Identity, University of Otago. 126p.
Conference Contribution - Verbal presentation and other Conference outputs
Fox, A. (2011, February). Cinematic adaptation, auteur cinema, and inter-generational change: The case of Roger Donaldson's ″Sleeping Dogs″ (1977). Verbal presentation at the University of Otago Cultures, Histories and Identities in Film, Media and Literature Research Network Colloquium: Creative Imitations and Appropriations: From Cinematic Adaptations to Re-makes, Dunedin, New Zealand.
Other Research Output
Fox, A. (2011). Introduction. In A. Fox (Ed.), Symbolising New Zealand: Papers presented at the Centre for Research on National Identity Conference, (pp. 7-11). Dunedin, New Zealand: Centre for Research on National Identity, University of Otago. [Other Research Output].
2010
Chapter in Book - Research
Fox, A. (2010). Cultural hybridity in contemporary New Zealand fiction: A theoretical intervention. In R. Ramsey (Ed.), Cultural crossings: Negotiating identities in francophone and anglophone Pacific literatures [Á la croisée des cultures: De la négociation des identités dans les littératures francophones et anglophones du Pacifique. (pp. 273-284). Brussels, Belgium: Peter Lang.
Journal - Research Article
Fox, A. (2010). Italy in the Maori imaginary: The novels of Witi Ihimaera and Te Tangata Whai Rawa o Weniti / The Maori merchant of Venice. CNZS Bulletin of New Zealand Studies, 2, 1-13.
Conference Contribution - Verbal presentation and other Conference outputs
Fox, A. (2010, November-December). Cinematic adaptation as evidence of inter-generational change: Sleeping dogs (1977). Verbal presentation at the XVth Biennial Conference of the Film and History Association of Australia and New Zealand: Cinema, Modernity and Modernism, Sydney, Australia.
Fox, A. (2010, September). Symbolising the shadow-side of New Zealand experience in contemporary literature and film. Verbal presentation at the Centre for Research on National Identity Conference: Symbolising New Zealand, Dunedin, New Zealand.
2009
Edited Book - Research
Radner, H., Fox, A., & Bessière, I. (Eds.). (2009). Jane Campion: Cinema, nation, identity. Detroit, MI: Wayne State University Press, 400p.
Chapter in Book - Research
Fox, A. (2009). The reluctant champion: More's Responsio ad Lutherum and Letter to Bugenhagen. In A. D. Cousins & D. Grace (Eds.), A companion to Thomas More. (pp. 208-224). Madison, NJ: Fairleigh Dickinson University Press.
Fox, A. (2009). Puritanism and the erotics of transgression: The New Zealand influence in Jane Campion's thematic imaginary. In H. Radner, A. Fox & I. Bessière (Eds.), Jane Campion: Cinema, nation, identity. (pp. 103-122). Detroit, MI: Wayne State University Press.
Fox, A., & Radner, H. (2009). Introduction: An antipodean filmmaker in an international context. In H. Radner, A. Fox & I. Bessière (Eds.), Jane Campion: Cinema, nation, identity. (pp. xi-xvi). Detroit, MI: Wayne State University Press.
Journal - Research Article
Fox, A. (2009). Inwardness, insularity, and the Man Alone: Postcolonial anxiety in the New Zealand novel. Journal of Postcolonial Writing, 45(3), 265-275. doi: 10.1080/17449850903064690
Conference Contribution - Verbal presentation and other Conference outputs
Fox, A. (2009, June). Hybridity and identity in New Zealand Maori literature: Alan Duff's Dreamboat Dad. Verbal presentation at the Journees d'Etudes: Hybridite Culturelle Reconsiderer la Notion et ses Applications en Critique Litteraire, Paris, France.
Fox, A. (2009, August-September). Cultural hybridity and the construction of Māori identity in the works of contemporary Māori novelists. Verbal presentation at the New Zealand's National Identity Research Colloquium: Fact or Fiction? Dunedin, New Zealand.
Fox, A., Brookes, B., & Downes, G. (2009, August-September). Problems and issues relating to the conceptualisation of national identity. Panel discussion at the New Zealand's National Identity Research Colloquium: Fact or Fiction? Dunedin, New Zealand.
2008
Authored Book - Research
Fox, A. (2008). The ship of dreams: Masculinity in contemporary New Zealand fiction. Dunedin, New Zealand: Otago University Press, 230p.
Edited Book - Research
Fox, A., & Radner, H. (Eds.). (2008). Cinema genre by Raphaëlle Moine [Translated by Alistair Fox and Hilary Radner]. Malden, MA: Blackwell, 248p.
Conference Contribution - Published proceedings: Abstract
Fox, A. (2008). Italy in the Maori imaginary: The novels of Witi Ihimaera. Proceedings of the 15th Annual Conference of the New Zealand Studies Association. (pp. 30). Retrieved from http://www.nzsa.co.uk/conferences.htm
Fox, A. (2008). Counter-discourses, identity, and the interpretation of history in New Zealand cinema. In C. Fowler & R. Simmons (Eds.), Proceedings of the XIVth Biennial Conference of the Film and History Association of Australia and New Zealand (Vol. 1: Refereed Abstracts). (pp. 28-29). Dunedin, New Zealand: Department of Film, Media and Communication, University of Otago. [Abstract]
Conference Contribution - Verbal presentation and other Conference outputs
Fox, A. (2008, November). Cultural hybridity as 'transformational object': A theoretical intervention. Verbal presentation at the Cultural Crossings: Negotiating Identities in Francophone and Anglophone Pacific Literatures Colloquium, Auckland, New Zealand.
2007
Conference Contribution - Verbal presentation and other Conference outputs
Fox, A. (2007, December). 'Going global': Self-construction, hybridity and the Maori dilemma in Witi Ihimaera's The rope of man. Verbal presentation at the Self-Narratives 'Research Conversation' Day, Dunedin, New Zealand.
2006
Journal - Research Article
Fox, A. (2006). The symbolic function of the operatic allusions in Witi Ihimaera's The Dream Swimmer. Journal of Postcolonial Writing, 42(1), 4-17.
Journal - Research Other
Fox, A. (2006). [Review of the book A Thomas More source book]. Catholic Historical Review, 92(2), 279-280.
2005
Chapter in Book - Research
Fox, A. (2005). Feminine ″neoneeds″ and masculine brutality after the sexual revolution: Melissa P's One hundred strokes of the brush before bed. In C. Gibson & L. Marr (Eds.), New windows on a woman's world: Essays for Jocelyn Harris. (pp. 180-193). Dunedin, New Zealand: Department of English, University of Otago.
Journal - Research Other
Fox, A. G. (2005). Introduction: Rethinking utopia in the wake of postmodernism. Portal Journal of Multidisciplinary International Studies, 2(2), 1-8. doi: 10.5130/portal.v2i2.98
Fox, A. (2005). In search of the postmodern utopia: Ben Okri's In Arcadia. Portal Journal of Multidisciplinary International Studies, 2(2), 1-16. Retrieved from http://epress.lib.uts.edu.au/ojs/index.php/portal
Other - Edited Journal
Fox, A., Pratt, M., & Radner, H. (Eds.). (2005). Strange Localities: Utopias, Intellectuals and Identities in the 21st Century [Special issue]. Portal: Journal of Multidisciplinary International Studies, 2(2). http://epress.lib.uts.edu.au/ojs/index.php/portal. [Journal Editors].
2004
Journal - Research Other
Fox, A. (2004). [Review of the book Elizabethan rhetoric: Theory and practice]. American Historical Review, 109(4), 1307.
2003
Journal - Research Other
Fox, A. (2003). [Review of the book English works of John Fisher, Bishop of Rochester: Sermons and other writings, 1520-1603]. Albion, 35(3), 463.
1999
Journal - Research Other
Fox, A. (1999). [Review of the book Pastoral transformations: Italian tragicomedy and Shakespeare's late plays]. Modern Language Review, 94(2), 495.
1997
Authored Book - Research
Fox, A. (1997). The English Renaissance: Identity and Representation in Elizabethan England. Oxford: Blackwell Publishers, 240p.